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The City

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A wave of nostalgia hit me when I saw a review of James Herbert passing by, and I decided to re-read The Magic Cottage for old times' sake. 1986, and as a teenager I started to discover Stephen King, Dean Koontz and James Herbert, a taste of the strange, bizarre and unexpected in popular literature. With his next novel, Lair (1979), Herbert regaled readers with the return of the rats, and he completed the trilogy with Domain (1984), set in a future where rats are now dominant following a nuclear war that has devastated civilisation. Herbert's The City (1994), a graphic novel illustrated by Ian Miller, was set in the same post-apocalypse world in which only a handful of people have survived. He is an author who has produced some of the most powerful horror fiction of the past decade. With a skilful blend of horror and thriller fiction, he explores the shaded here are three books that deal with darkly enchanted residences in ways that i found to be much more accomplished, multi-leveled, and downright shivery:

Williamson, J.N., ed. (1988). The Best of Masques. New York City: Berkley Books. ISBN 978-0-425-10693-8. He is survived by his wife, Eileen, whom he married in 1967, and their daughters, Kerry, Emma and Casey. Het einde voelt als een explosie van geweld vergeleken met het rustige karakter van de rest van het boek. territories of evil, evoking a sense of brooding menace and rising tension. He relentlessly draws the reader through the story's ultimate revelation - one that will stay to chill the mind long after This was my introduction to this author and I enjoyed this introduction. At first, this seems like a horror genre novel as the reader knows there is something going on with this cottage. The author does a slow burn for the tension as we get a pervading presence throughout. There is also a sub plot with a religious group that eventually will tie in with the main plot. I did think with the main plot and the sub plot was a little too slow for the majority of the book. I was interested in both plots but not totally enthralled. The finale when these two plots merge is fantastic and why I raised my rating the half star. It was explosive and switched genres to the fantasy genre without losing a beat. I could not stop reading the final scene and I believe it would be great to see visually.Potter, Adam Lee (5 September 2012). "James Herbert: My new thriller about Princess Diana's secret son". Daily Express . Retrieved 1 September 2017.

Een leuk koppel verhuisd van de drukke stad naar een prachtige cottage op het Engelse platteland. Het sfeertje deed me denken aan de tv serie midsomer murder (voordat er in de aflevering een moord wordt gepleegd). Het huis lijkt een weldadig helend effect te hebben. Er lopen massa's tamme dieren rond het huis. Op een klein duister sfeertje na wat je toch op je hoede laat zijn was het een heerlijk knus verhaal. boring cult action. it did not agree with me and i found it be over-obvious, eye-rolling. perhaps i just don't like reading about creepy cults. i kept hoping that they would be a minor part, but oh no, it's major. James Herbert was Britain's number one bestselling writer (a position he held ever since publication of his first novel) and one of the world's top writers of thriller/horror fiction. this is not a bad book. i don't think this is a particularly good book either. easy to read and not particularly painful to get through... i read it all through one long rainy night. Herbert is a real professional: the screws are tightened expertly, our two leads are sympathetic & realistic (although one of them is a wee bit off), the mysteries unfold at a good pace, creepy supernatural goings-on abound, some enjoyable twists & turns pop up, and of course a mysterious & possibly threatening figure lurking on the edge of things appears.I will start by saying that I have been reading this whilst staying in a remote cottage in the woods during an early Easter break, which certainly helped me getting the atmosphere right. It started slow, but I like that as it was primarily the atmosphere I wanted to revel in. A few things hit me that I wouldn't have noticed the first time around. The most prominent one is the slight feeling of unease that lingered all around due to the fact that both protagonists are portrayed as much younger than the early 30's they are supposed to be. They both often act and speak as children, certainly Midge, and she is often referred to as a child-like wife, a pixie that needs to be protected. I found this unsettling at times, but not to the point to stop reading. a b Weber, Bruce (24 March 2013). "James Herbert, British Horror Novelist, Dies at 69". The New York Times. when the horror hits... to put it bluntly: i was not scared. instead, i gave birth to sighs, many of them. sad to say, there was a lot more 'horror' in the atmosphere itself. perhaps i just have a problem with cheap horror thrills, especially of the kind that i've read dozens upon dozens of times previously. so quite a bit of fun to be had in the foreboding quality of the cottage in question, some hairs were definitely raised... but when the book tries to get me to jump, all i did was yawn. a b Plint, Alec (21 March 2013). "20 things you didn't know about James Herbert". The Daily Telegraph. London . Retrieved 21 March 2013.

a b c d Holland, Steve (21 March 2013). "James Herbert obituary". Guardian.co.uk. London . Retrieved 24 March 2013.

He was one of our greatest popular novelists, whose books are sold in thirty-three other languages, including Russian and Chinese. Widely imitated and hugely influential, his 19 novels have sold more than 42 million copies worldwide. Cabell, Craig (2003). James Herbert: Devil in the Dark. United Kingdom: John Blake Publishing. ISBN 978-1-84358-059-1. From the age of 16, Herbert attended Hornsey College of Art, where he spent four years studying graphic design, print and photography. He worked as a paste-up artist and a typographer at one advertising agency, and then became art director and subsequently group head at Charles Barker Advertising. Pas op het einde wordt het verhaal echt sinister wanneer Midge de partner van Mike in de handen dreigt te vallen van een sekte. Deze sekte lijkt in het bijzondere geïnteresseerd in hun huis. Etchison, Dennis, ed. (1991a). Masters of Darkness III. New York City: Tor Books. ISBN 978-0-8125-1766-8.

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